{"id":154,"date":"2018-06-04T17:39:39","date_gmt":"2018-06-04T17:39:39","guid":{"rendered":"https:\/\/projet-eva.org\/?post_type=portfolio_page&#038;p=154"},"modified":"2019-11-25T19:04:39","modified_gmt":"2019-11-25T19:04:39","slug":"the-object-of-internet","status":"publish","type":"portfolio_page","link":"https:\/\/projet-eva.org\/en\/project\/the-object-of-internet\/","title":{"rendered":"The Object of the Internet"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column]\n\t\t\t<!-- START odien REVOLUTION SLIDER 6.7.40 --><p class=\"rs-p-wp-fix\"><\/p>\n\t\t\t<rs-module-wrap id=\"rev_slider_9_1_wrapper\" data-source=\"gallery\" 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\n\t\t\t\t\t\t\t\tdata-type=\"text\"\n\t\t\t\t\t\t\t\tdata-xy=\"x:c;y:m;\"\n\t\t\t\t\t\t\t\tdata-text=\"w:normal;s:38,36,34,32;l:40,38,36,34;ls:1px;fw:300;a:center;\"\n\t\t\t\t\t\t\t\tdata-dim=\"w:951px,701px,450px,300px;\"\n\t\t\t\t\t\t\t\tdata-rsp_o=\"off\"\n\t\t\t\t\t\t\t\tdata-rsp_bd=\"off\"\n\t\t\t\t\t\t\t\tdata-frame_0=\"tp:600;\"\n\t\t\t\t\t\t\t\tdata-frame_1=\"tp:600;st:0;\"\n\t\t\t\t\t\t\t\tdata-frame_999=\"o:0;tp:600;st:w;sR:4700;\"\n\t\t\t\t\t\t\t\tstyle=\"z-index:6;font-family:'simplon_normlight', 'sans-serif';\"\n\t\t\t\t\t\t\t>\u201cYou are inside, and the digital world spins around you\u201d \n\t\t\t\t\t\t\t<\/rs-layer><!--\n-->\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t<rs-slide style=\"position: absolute;\" data-key=\"rs-50\" data-title=\"Slide\" data-thumb=\"\/\/projet-eva.org\/wp-content\/uploads\/2018\/06\/ODI_01-100x50.jpg\" data-anim=\"adpr:false;\">\n\t\t\t\t\t\t\t<img decoding=\"async\" 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style=\"font-size:56px;\"><\/i> \n\t\t\t\t\t\t\t<\/rs-layer><!--\n\t\t\t\t\t--><\/rs-static-layers>\n\t\t\t\t<\/rs-module>\n\t\t\t\t<script>\n\t\t\t\t\tsetREVStartSize({c: 'rev_slider_9_1',rl:[1240,1024,778,480],el:[],gw:[1500,1024,778,480],gh:[867,768,960,720],type:'standard',justify:'',layout:'fullscreen',offsetContainer:'',offset:'',mh:\"0\"});if (window.RS_MODULES!==undefined && window.RS_MODULES.modules!==undefined && window.RS_MODULES.modules[\"revslider91\"]!==undefined) {window.RS_MODULES.modules[\"revslider91\"].once = false;window.revapi9 = undefined;if (window.RS_MODULES.checkMinimal!==undefined) window.RS_MODULES.checkMinimal()}\n\t\t\t\t<\/script>\n\t\t\t<\/rs-module-wrap>\n\t\t\t<!-- END REVOLUTION SLIDER -->\n[\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;110px&#8221; el_class=&#8221;espaceprojet1&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221;][vc_column width=&#8221;5\/12&#8243;][vc_column_text el_class=&#8221;titreprojet&#8221;]<\/p>\n<h1>The Object of the Internet<\/h1>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/12&#8243;][\/vc_column][vc_column width=&#8221;5\/12&#8243;][vc_column_text el_class=&#8221;dateprojet&#8221;]<\/p>\n<h1>2017<\/h1>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;100px&#8221; el_class=&#8221;espaceprojet2&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221;][vc_column width=&#8221;5\/12&#8243;][vc_column_text el_class=&#8221;introprojet&#8221;]<\/p>\n<h3>The Object of the Internet is an installation evoking the idea of a mausoleum for the end of the web.<\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;58px&#8221;]<div class='testimonials_holder clearfix light'><div class=\"testimonials testimonials_carousel\" data-show-navigation=\"yes\" data-animation-type=\"fade\" data-animation-speed=\"\" data-auto-rotate-slides=\"10\" data-number-per-slide=\"1\"><ul class=\"slides\"><li id=\"testimonials187\" class=\"testimonial_content\"><div class=\"testimonial_content_inner\"><div class=\"testimonial_text_holder\"><div class=\"testimonial_text_inner\" style=\"\"><p >\u201cThe Object of the Internet reminds us of the existence and evanescence of the world\u2019s beauty, even if virtual.\u201d<\/p><p class=\"testimonial_author\" style=\"\">EX_Situ<\/p><\/div><\/div><\/div><\/li><li id=\"testimonials185\" class=\"testimonial_content\"><div class=\"testimonial_content_inner\"><div class=\"testimonial_text_holder\"><div class=\"testimonial_text_inner\" style=\"\"><p >\u201cThese works make technological capital confront its likely obsolescence, translated by a dissolution of the self into the void of the internet.\u201d<\/p><p class=\"testimonial_author\" style=\"\">ESSE<\/p><\/div><\/div><\/div><\/li><li id=\"testimonials156\" class=\"testimonial_content\"><div class=\"testimonial_content_inner\"><div class=\"testimonial_text_holder\"><div class=\"testimonial_text_inner\" style=\"\"><p >\u201cYou are inside, and the digital world spins around you.\u201d<\/p><p class=\"testimonial_author\" style=\"\">The Record.com<\/p><\/div><\/div><\/div><\/li><\/ul><\/div><\/div>[vc_empty_space height=&#8221;50px&#8221;][\/vc_column][vc_column width=&#8221;2\/12&#8243;][\/vc_column][vc_column width=&#8221;5\/12&#8243;][vc_column_text el_class=&#8221;descriptionprojet&#8221;]Beyond the word play evoked by the title (the internet of objects \/ <em>The Object of the Internet<\/em>), the artists seek to turn a concept typically associated with the online communities of cyberspace into something material and concrete, presenting certain aspects of social media in allegorical form.<\/p>\n<p>The work could be seen as an inversion of the concept of Brion Gysin\u2019s Dreamachine. Originally, this hallucinogenic, optical work placed users around a rotating, perforated cylinder that pulsated light. With <em>The<\/em> <em>Object of the Internet<\/em>, the user is central and surrounded by luminous, kinetic elements. Such placement allows the artists to represent outside the web one of its iconic concepts: the selfie. Interested in the growing commodification of the \u201cself\u201d in hypermedia culture, the artists take a critical look at the failures of the utopic dreams of cyberculture proponents like Gysin and Burroughs.<\/p>\n<p>A quote by Carmen Hermosillo accompanies the work. Poet, blogger, and social media pioneer, Hermosillo already pointed out in 1994: \u201cI have seen many people spill their guts online, and I did so myself until, at last, I began to see that I had commodified myself.\u201d Even though the installation does not directly produce the precise sensation of dehumanization, the artists have sought to trouble in visitors an element intimately associated with one\u2019s identity, namely one\u2019s own reflection. The image of the face is fragmented and deconstructed, becoming the source of an abstract and inhuman structure. The final experience is somewhat like a small death pointing to the possible vacuity of \u201conline\u201d existence.[\/vc_column_text][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;toggle&#8221; el_class=&#8221;accordeonplus&#8221;][vc_accordion_tab title=&#8221;plus&#8230;&#8221; title_tag=&#8221;h5&#8243;][vc_column_text]The piece relies mostly on an analog and mechanical mediascape. There is no video signal, only lights, motors and mirrors. Mechanical vibrations of the installation are picked-up by contact microphones, amplified and transferred back through the metal structure by the means of a driver affixed to it. Two speakers set inside the disc rotate along with the mirrors, adding a phase shifting effect to the feedback generated soundscape. The piece works as a linear experimental media proposal. The experience has a total duration of 5 minutes.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=&#8221;50px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;accordion&#8221;][vc_accordion_tab title=&#8221;Credits&#8221; title_tag=&#8221;h3&#8243;][vc_column_text el_class=&#8221;creditsprojet&#8221;]<strong>Original Idea and Concept<\/strong><br \/>\nSimon Laroche<br \/>\nEtienne Grenier<\/p>\n<p><strong>Photo and Video Documentation<\/strong><br \/>\nProjet EVA<\/p>\n<p><strong>Acknowledgements<\/strong><br \/>\nNormand Gauthier<br \/>\nRapha\u00ebl Demers<br \/>\nFablab du PEC<br \/>\nNathalie Bachand<br \/>\nEastern Bloc[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Sponsors&#8221; title_tag=&#8221;h3&#8243;][vc_column_text el_class=&#8221;partenairesprojet&#8221;]<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-153\" src=\"https:\/\/projet-eva.org\/wp-content\/uploads\/2018\/05\/calq-.png\" alt=\"\" width=\"145\" height=\"60\" \/>[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; 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